Vitaly Moiseev is a UK-based contemporary artist whose practice brings together painting, relief, engraving, gilding, and tactile surface. Over many years of experimentation with material, light, and sculptural form, his work has developed into Emboss Art — a contemporary visual language in which painting gains physical presence beyond the flat surface.
Professional updates and process notes:
LinkedIn: Vitaly Moiseev
Artistic Practice
Between 2000 and 2025, Vitaly Moiseev developed an extensive independent practice across sculptural surfaces, gilding techniques, decorative relief, and bespoke commissions for private interiors, including works created for private collectors and yacht interiors.
This long period of experimentation with texture, surface, light, and handcrafted materials formed the foundation for Emboss Art — a sculptural painting approach in which image, relief, and spatial presence come together.
His current practice explores the relationship between form, silence, light, and tactile surface through layered contemporary painting.
Emboss Art is not an applied decorative method, but a visual language in which surface, relief, and image become inseparable.
Representation
2026–present — Selected works represented on Artsy by Chrissy Moore Art Advisory, UK
Selected Exhibitions & Projects
2026 — RESONANCE, TSB Gallery, Online Exhibition — Selected Artist; exhibited work: Heart’s Melody
2026 — The Horton Summer Exhibition, The Horton Arts Centre, Epsom, UK — Selected Artist; exhibited work: The Metamorphosis of the Golden Butterfly
2025 — London Art Biennale, Chelsea Old Town Hall, London, UK — Selected Artist; exhibited work: The Scent of Temptation
2025 — The Holy Art, London Physical Exhibition, 62 Wood Lane, London, UK — Exhibiting Artist: exhibited work: Heart’s Melody
2000 — Noah’s Ark / The Millennium Ark, collaborative engraving project — Contributing Artist: individual engraving incorporated into the collective work, now held in the collection of the Victoria and Albert Museum, London.
c. 1999–2000 — Five Wood Engravers, Chertsey Museum, Chertsey, Surrey, UK — Five-artist group exhibition
1999–2000 — 62nd Annual Exhibition, Society of Wood Engravers, UK — Member and Exhibiting Artist; exhibited work: Countess Religion
1998 — National Print Exhibition, Mall Galleries, London, UK — John Purcell Paper Award; exhibited work: The Past in the Future or the Pain of Chernobyl
1998 — The Contemporary Print Show, Concourse Gallery, Barbican Centre, London, UK — Exhibiting Artist: exhibited work: Leviathan
1997 — 4th Open Print Exhibition, Royal West of England Academy (RWA), Bristol, UK — Selected Artist: exhibited work: The Pain of Chernobyl
1996–97 — 59th Annual Exhibition, Society of Wood Engravers — Selected Artist; touring exhibition, Guildford House Gallery, Guildford
Selected Publications
2024 — Artmajeur Magazine, 20 Questions/Answers About Buying Art Through Leasing — featured artwork: Place of Escape
2002 — An Engraver’s Globe: Wood Engraving World-wide in the Twenty-first Century, Simon Brett, Primrose Hill Press, London — Featured Artist, p. 271; three works reproduced
1998 — Encyclopaedia Bio-Bibliographical of the Art of the Contemporary Ex-Libris, Vol. XXII, Artur Mário da Mota Miranda, Portugal — Featured Artist, pp. 57–61; text by Brian North Lee. Limited edition of 300 numbered copies
1990s–2000s — Works reproduced in international ex-libris exhibition catalogues
Collections
Works are held in museum and private collections, including the Victoria and Albert Museum, London, MOMA Machynlleth, Wales, and private collections across the UK, Europe, and the United States.
Awards
John Purcell Paper Award, National Print Exhibition, Mall Galleries, London, UK, 1998
Education
South Thames College, London, UK
BTEC National Diploma in Graphic Design (Two-year course completed within one year)Ivan Fedorov Ukrainian Printing Institute, Kyiv, Ukraine
Faculty of Book GraphicsKyiv College of Art and Design, Kyiv, Ukraine
Qualification in Decorative ArtChildren’s Art School, Kyiv, Ukraine
Academic Drawing and Painting
Professional Memberships
Elected to the Society of Wood Engravers in 1997